Valerie June (Moved To HI-FI)
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ARTIST PROFILE | Valerie June
The latest full-length from Valerie June, The Moon and Stars: Prescriptions for Dreamers emerged from a long-awaited revelation on the part of the Tennessee-bred singer/songwriter. “With this record, it finally became clear why I have this dream of making music,” June says of her third album for Fantasy Records. “It’s not for earthly reasons of wanting to be awarded or to win anybody’s love—it’s because dreaming keeps me inquisitive and keeps me on that path of learning what I have to share with the world. I think when we allow ourselves to dream like we did when we were kids, it ignites the light that we all have within us, and helps us to have a sort of magic about the way we live.”
The follow-up to her widely adored The Order of Time—a 2017 effort that earned the admiration of Bob Dylan and landed on best-of-the-year lists from the likes of Rolling Stone and the New York Times— The Moon and Stars: Prescriptions for Dreamers is a potent catalyst for that kind of magic. With her spellbinding vocals and infectious sense of wonder, June gently eases the listener into a far more charmed state of mind, one that quickly restores a powerful feeling of joyful possibility.
Produced by June and Jack Splash (Kendrick Lamar, Alicia Keys, John Legend), The Moon and Stars: Prescriptions for Dreamers achieves that transcendent effect thanks in no small part to the splendor of its sound, an exquisitely composed tapestry of folk, soul, gospel, country, blues, psychedelia, and time-bending symphonic pop. In bringing the album to life, June and Splash stayed true to the spirit of wide-eyed exploration by working with an eclectic lineup of esteemed musicians, absorbing themselves in a prolonged period of free-flowing experimentation and playing with a magnificently vast palette of instruments (flute and banjo, mbira and Mellotron, saxophone and synth, to name just a few). The result is a selection of songs both ornate and elegant, each moment crafted with a profound awareness of what’s most essential in creating enduring beauty.
Though the shapeshifting textures of The Moon and Stars: Prescriptions for Dreamers prove infinitely mesmerizing, the album’s most enchanting element is June’s vocal presence, the extraordinary and often breathtaking sound of someone pouring her whole heart into every note. At turns ethereal and gritty, ferocious and fragile, June’s vocals possess a certain transformative quality, instantly melting away the chaos of the everyday and leaving only the immutable glow of absolute truth.
Infusing each line of The Moon and Stars: Prescriptions for Dreamers with her warmly delivered insight, June narrates the long and precarious journey toward realizing a dream. “Any dream is going to be work, and you have to be willing to put in that time and effort to go the long path,” she says. “There’s a lot of failing and rising and twists and turns, but dreaming itself can also be a strengthening force that we can all tap into.” One of many songs graced with a lavish string arrangement from Lester Snell (Isaac Hayes, Al Green, Solomon Burke), “Stay” opens the album with a piano-laced rhapsody urging listeners to carve out “their own personal space to dream freely,” as June puts it. Next, on “You and I,” June speaks to the ineffable joy of letting others into your inner world, the track’s effervescence intensified by the hypnotic rhythms of percussionist Humberto Ibarra.
After the luminous clarity of “Colors” and softly soaring urgency of “Stardust Scattering” (a song partly inspired by the surrealist poetry of Sun Ra), The Moon and Stars: Prescriptions for Dreamers presents an African proverb read by legendary Stax singer Carla Thomas (aka “The Queen of Memphis Soul”). From there, Thomas lends her backing vocals to the album’s showstopping centerpiece “Call Me a Fool,” a gorgeous piece of throwback R&B fueled by smoldering horns and a particularly soul-stirring performance from June. “It’s very scary to have a dream,” says June in revealing the song’s message. “Everybody in your life will tell you that you’re crazy and it’s never going to work out, but you’ve got to let the world call you a fool and just go for it anyway.”
Although The Moon and Stars: Prescriptions for Dreamers slips into a heavy-hearted mood on the stark and sorrowful “Fallin,” June’s irrepressible intensity returns on the radiant “Smile.” “As a Black woman, a song like ‘Smile’ makes me think about everything my race has gone through, and how positivity can be its own form of protest,” June points out. “It’s saying, ‘We are oppressed, we have so much against us—but the one thing you’re not gonna take from me is my smile.’” One of the album’s most beautifully untethered moments, the trance-like “Within You” shares what June calls a “mantra for rejuvenation,” while “Two Roads” channels a dreamy determination in its lilting pedal-steel tones. A song of sweetly articulated triumph, “Why the Bright Stars Glow” then leads into the album’s glorious finale: the slow-burning “Home Inside,” a prayerful invocation whose lyrics are threaded with June’s tenderhearted wisdom (e.g., “Earth is a school/To shine is why you came”).
At several points throughout The Moon and Stars: Prescriptions for Dreamers, June offers up what she refers to as “reflective meditation moments”: atmospheric interludes meant to lull the listener into a state of lucid serenity (the album’s final track, for instance, features recordings of mockingbirds singing outside June’s window during her time spent quarantining in Tennessee). “I know that when I’m ready to give up on something on the dreamer’s path, taking even 30 seconds to just focus on my breath can completely shift my energy and help me to keep going,” she notes. To that end, the subtitle to The Moon and Stars: Prescriptions for Dreamers alludes to the so-called prescriptions June created to accompany each song on the album, a carefully curated collection of elixirs, contemplation questions, and daily practices assembled to help the listener along on their own dreamer’s journey.
In the making of The Moon and Stars: Prescriptions for Dreamers, June added an element of ritual to every recording session, including adorning the studio floor with mandalas made from fresh-picked flowers (a rite inspired by 19th-century author Clara Lucas Balfour’s assertion that flowers are undoubtedly “the stars of the earth”). Working at Fresh Young Minds in Los Angeles and Hit Factory Criteria in Miami—with each session serendipitously transpiring under a full moon—June found an ideal collaborator in Splash, who shares her tendency toward childlike adventuring in the artistic process. “For this album I wanted to see how we could bring some modern elements into that band-in-the-room approach I’ve taken with my records in the past,” says June, who first broke through with 2013’s critically acclaimed Pushin’ Against A Stone. “Anytime you create, you should always be exploring and changing and trying things you’ve never done before.” With their reference points ranging from the freewheeling Afrobeat of Fela Kuti to the grandiose string arrangements of longtime David Bowie producer Tony Visconti, June and Splash introduced otherworldly effects and beats into the album’s elaborate orchestration, soon arriving at a sound that’s entirely singular and endlessly surprising.
In creating such a transportive body of work, June ultimately provides an utterly immersive listening experience with The Moon and Stars: Prescriptions for Dreamers, one that serves as a much-needed respite from the outside world. “I see these songs almost like matches for people to strike when they need to reignite that inner light and keep going when things feel dark,” says June. “I hope it helps them to feel empowered, to realize their strength and their beauty and all the gifts they have to give. And I hope it also helps people to recognize the light in everyone around them, so that we can all connect with each other in a kinder and gentler and more loving way.”
Supporting Acts
SHOW BY SIMILAR ARTISTS
About HI-FI | Indianapolis, IN
HI-FI is located inside the historic Murphy Arts Center in the heart of Fountain Square. HI-FI shows virtually every night of the week and is known for finding new artists on the rise. The venue is acoustically one of the best sounding venues in the Midwest. The entrance is located at the front of the building on Virginia Ave and the Indianapolis Cultural Trail.
Getting Around the Venue
Frequently Asked Questions About HI-FI | Indianapolis, IN
What are the age restrictions at this venue?
Most of our gigs are open to those 18 years and older, though there are a few exceptions. We’re also rolling out more all-ages shows to accommodate younger fans, but double-check our website for specific age requirements before getting your tickets. We’ve made it super easy to spot the age restrictions on each event listing.
If you are going to indulge in a seating upgrade in our VIP area, all guests must be 21 years of age or older.
Can I upgrade my to VIP seating?
HI-FI offers a limited number of seating upgrades in designated viewing areas. The HI-FI VIP Deck is the elevated section near the back of the venue offers table seating with quick access to the bar. Please note that all guests in this area must be 21+. You can contact the box office to purchase a seating upgrade for your ticket at
boxoffice@hifiindy.com
What items are permitted or prohibited at this venue?
At our venues, we strive to ensure a safe and enjoyable experience for all guests. While specific rules may vary slightly depending on the event location, the following list generally applies across all venues.
Any illegal items found will be confiscated immediately. Guests discovered with prohibited items inside the venue may face ejection, and those attempting to enter with such items may be denied entry.
We appreciate your cooperation in adhering to these guidelines to ensure everyone’s safety and enjoyment during our events.
Permitted Items Include:
- All bags and possessions are subject to search and may be subject to metal detection. No backpacks are permitted at any of our venues.
- Clear tote or bag made from plastic, vinyl or PVC that does not exceed 14” x 14” in size.
- Personal purse, fanny pack or handbag so long as it does not exceed 14” x 14” in size
- A warm heart and smiles
Prohibited items include:
- Weapons of any kind: Firearms (with or without permit), knives (any size), multi-tools
- Pepper Spray or Mace
- Flares or Fireworks
- Oversized bags (Bag larger than 12” x 12”, including all backpacks, briefcases, luggage, or duffle bags)
- Illegal Substances
- Outside Beverages
- Laser Pointers
- Removable lens cameras or flash photography, tripods, monopods, selfie-sticks (unless pre-approved by Event Manager)
- Audio or Video recording devices (unless pre-approved by Event Manager)
- Signs larger than 11” x 17” or any sign attached to a stick or pole
- Skateboards, hoverboards, rollerblades, scooters, or bicycles
- Hula hoops, spray paint, silly string
- Noise Making devices (i.e. Air Horns, drums, whistles)
- Coolers or Ice Chests
- Animals/Pets (Except Service Animals)
HI-FI reserves the right to prohibit any item, including items not listed above, from entering the premises if deemed hazardous or disruptive to the event.
Can I bring a bag into the show?
Yes! You’re welcome to bring personal purse, fanny pack or handbag so long as it does not exceed 14” x 14” in size. No backpacks are permitted at any time.
What’s the parking situation like?
Parking in Fountain Square can be difficult at times and we highly recommend you carpool, Uber, Lyft, or use public transportation when attending an event. Street and parking is available along Woodlawn Ave, Virginia Ave, and Prospect St. Bicycle parking is available in front of HI-FI on Virginia Ave and neighboring streets. Do not park in the Wine Market parking lot.
What is the camera/photo policy for this venue?
Our photo policy varies for each event and is at the discretion of the artist performing that night. This policy can change from night to night.
As a general guideline, we typically do not permit professional photography unless it has been pre-approved by either HI-FI or the Artist Management.
For approved photographers, you’re welcome to snap photos during the first three songs of the performance. However, please refrain from using flash.
Media personnel and professional photographers interested in covering our events can reach out to us at marketing@hifiindy.com to request media credentials.
Is there food and drink at this venue?
Absolutely! We’ve got you covered for some tasty bites to fuel your night.
Our very own Easy Rider Diner is your go-to spot on most show nights, serving up mouthwatering dishes right next door to HI-FI. With a convenient connection door open for most shows, you can easily hop back and forth without missing a beat. We highly recommend making a reservation in advance, as show nights tend to get busy. Please note that Easy Rider is closed on Mondays and Tuesdays, but fear not – you can still grab some chips, candy, or snacks at HI-FI’s bar.
View seating maps for this venue
Check your show listing for information on the show’s seating configuration. The majority of HI-FI shows are general admission, standing-room-only. Depending on the show, there are a handful of tables available to those who arrive early. There is a limited amount of seating upgrades available on the VIP deck. Contact the box office to secure a seating upgrade for your show at boxoffice@hifiindy.com. Shows that are reserved or partially reserved seating configurations will have information or purchase options directly on the event listing.
Can I leave and re-enter the venue?
Re-entry is allowed for HI-FI and LO-FI Lounge shows once you’ve been stamped or wristbanded by a member of our staff.
Do you offer ADA, handicap or special needs options?
There are 2 handicapped parking spots in the lot located across Prospect St. closest to El Arado Mexican Grill. Once inside HI-FI, there is no designated ADA seating section. The box office handles any special needs or ADA seating requests at boxoffice@hifiindy.com.
Where is the box office located?
Getting tickets to our shows is super easy! You have a few options, depending on how you like to roll:
Online: Grab your tickets in advance from our official websites, hifiindy.com and mokbpresents.com, or through our trusted ticketing partners tixr.com and seetickets.us.
In Person: Swing by one of our three convenient box office locations around the Murphy Arts Center building and grab tickets with no service fees:
Main Box Office at Virginia Ave Mercantile: Located at 1043 Virginia Ave Suite 2 (between Easy Rider and La Margarita). Open Monday through Friday from 10 a.m. to 6 p.m.
HI-FI Box Office: Found at 1043 Virginia Ave Suite 4 (at the main entrance to HI-FI). Open only on show nights, starting 1 hour before published show times until 10 p.m.
I lost something at the show. Who do I contact?
Have you misplaced something during one of our events? Don’t worry, we’re here to help reunite you with your belongings! While we can’t take responsibility for lost or stolen items, we’re committed to assisting you in any way we can.
Found items are securely stored at our Virginia Ave Mercantile & Box Office until they’re claimed. Please note that items lost during late-night events might take until the next morning to reach our lost and found. We know you might be eager to retrieve your belongings (like that phone you’re pinging outside our door at 6 am), but our team typically wraps up late-night events and may not be available until later in the morning.
For lost items, please follow the outlined process rather than popping into Easy Rider in the early hours. They’re open early, but our restaurant team is busy during weekends and can’t assist with lost items during busy service hours.
To inquire about lost items, shoot us an email at boxoffice@hifiindy.com. Mercantile hours are Monday through Friday, 10:00 a.m. to 6:00 p.m., and Saturdays from 12:00 p.m. to 7:00 p.m.
Let’s work together to get your goods back to you as quickly as possible!
What is your refund policy?
What’s Your Refund Policy for Postponed Shows?
If a show gets postponed, don’t sweat it! We’ll shoot you an email to let you know about the change, and if you’re cool with the new date, no further action is needed on your part.We’ll be working diligently to find a new date for the show, and we’ll keep you updated every step of the way. But if you can’t make it to the rescheduled gig, we’ve got your back. You’ll have a generous 30-day window following the announcement of the new date to request a refund.
For those who paid with cash at our box office, just drop us a line at boxoffice@hifiindy.com for further instructions on processing your refund.
Please bear with us as we explore rescheduling options with the tour. Your patience is much appreciated as we work to present the best possible show experience for you.
What’s the Refund Policy for Canceled Shows?
In the unfortunate event of a canceled show, don’t fret! If you purchased your tickets online, your refund will be processed automatically. Just sit tight and allow 3-5 business days for the refund to appear in your bank account.
No need to lift a finger! However, there are a few scenarios where you might need to reach out to our box office:
- If you paid cash at our box office.
- If you’ve received a new or different card since your original purchase.
- If you haven’t seen the refund in your account after 5 business days.
What Happens if a Show Gets Rescheduled?
No worries! If a show you’ve already grabbed tickets for gets rescheduled, your tickets will still be valid for the new date. We’ll shoot you an email to let you know about the change, and if you’re good to go for the new date, no further action is needed on your part.
However, if you can’t make it to the rescheduled gig, we’ve got you covered. You’ll have a generous 30 days from the announcement of the new date to request a refund. Just reach out directly to our box office to kickstart the process.
Beware of counterfeit tickets. How do I tell if my ticket is valid?
It’s crucial for all buyers to exercise caution when purchasing tickets from unauthorized sites and ticket resellers. Unfortunately, this is a widespread issue affecting venues nationwide, and true fans often find themselves at a loss. Regrettably, there’s little we can do in such situations. Since the original transaction didn’t occur through our authorized ticketing partners, we lack the necessary information to assist. It’s disheartening to witness fans being taken advantage of, especially on platforms like Craigslist, Facebook, StubHub, VividSeats, SeatGeek, and others. We are only obligated to honor valid tickets purchased through our approved channels. Valid tickets for HI-FI, HI-FI Annex, & LO-FI Lounge are exclusively available through the locations specified in the ‘How can I purchase tickets?’ section above. Tixr and SeeTickets are the only two ticket vendors supported at our venues. section above.
Can I purchase tickets in person without fees?
Yes. HI-FI box office is located at the main entrance off of Virginia Avenue. The box office is open 1 hour prior to the published door time. Additionally, the new and primary box office is located two doors down from HI-FI in Suite 2. This box office is open Monday through Friday 10am – 6pm for fee-free ticket purchases. HI-FI accepts cash as well as all major credit cards for ticket purchases.
Do you have free WI-FI?
Yes. HI-FI offers free WI-FI during all shows. Simply select the HI-FI Free WI-FI network and you are all set.
Valerie June (Moved To HI-FI)
Start Time: 8:00 pm
Tonight's show has been moved to HI-FI. All tickets will be honored at the HI-FI entrance. The show is now a 21+ show. Any customers or families affected by the age restriction change may contact help@seetickets.us for a full refund. Thanks for patience and cooperation. Seating is limited. A limited about of seating upgrades are available by contacting boxoffice@hifiindy.com Tickets are still available online and at the box office. Update: New Door Time Doors: 7:30 PM Chasity Brown: 8:00 PM Valerie June: 9:00 PM No Health Check
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ARTIST PROFILE | Valerie June
The latest full-length from Valerie June, The Moon and Stars: Prescriptions for Dreamers emerged from a long-awaited revelation on the part of the Tennessee-bred singer/songwriter. “With this record, it finally became clear why I have this dream of making music,” June says of her third album for Fantasy Records. “It’s not for earthly reasons of wanting to be awarded or to win anybody’s love—it’s because dreaming keeps me inquisitive and keeps me on that path of learning what I have to share with the world. I think when we allow ourselves to dream like we did when we were kids, it ignites the light that we all have within us, and helps us to have a sort of magic about the way we live.”
The follow-up to her widely adored The Order of Time—a 2017 effort that earned the admiration of Bob Dylan and landed on best-of-the-year lists from the likes of Rolling Stone and the New York Times— The Moon and Stars: Prescriptions for Dreamers is a potent catalyst for that kind of magic. With her spellbinding vocals and infectious sense of wonder, June gently eases the listener into a far more charmed state of mind, one that quickly restores a powerful feeling of joyful possibility.
Produced by June and Jack Splash (Kendrick Lamar, Alicia Keys, John Legend), The Moon and Stars: Prescriptions for Dreamers achieves that transcendent effect thanks in no small part to the splendor of its sound, an exquisitely composed tapestry of folk, soul, gospel, country, blues, psychedelia, and time-bending symphonic pop. In bringing the album to life, June and Splash stayed true to the spirit of wide-eyed exploration by working with an eclectic lineup of esteemed musicians, absorbing themselves in a prolonged period of free-flowing experimentation and playing with a magnificently vast palette of instruments (flute and banjo, mbira and Mellotron, saxophone and synth, to name just a few). The result is a selection of songs both ornate and elegant, each moment crafted with a profound awareness of what’s most essential in creating enduring beauty.
Though the shapeshifting textures of The Moon and Stars: Prescriptions for Dreamers prove infinitely mesmerizing, the album’s most enchanting element is June’s vocal presence, the extraordinary and often breathtaking sound of someone pouring her whole heart into every note. At turns ethereal and gritty, ferocious and fragile, June’s vocals possess a certain transformative quality, instantly melting away the chaos of the everyday and leaving only the immutable glow of absolute truth.
Infusing each line of The Moon and Stars: Prescriptions for Dreamers with her warmly delivered insight, June narrates the long and precarious journey toward realizing a dream. “Any dream is going to be work, and you have to be willing to put in that time and effort to go the long path,” she says. “There’s a lot of failing and rising and twists and turns, but dreaming itself can also be a strengthening force that we can all tap into.” One of many songs graced with a lavish string arrangement from Lester Snell (Isaac Hayes, Al Green, Solomon Burke), “Stay” opens the album with a piano-laced rhapsody urging listeners to carve out “their own personal space to dream freely,” as June puts it. Next, on “You and I,” June speaks to the ineffable joy of letting others into your inner world, the track’s effervescence intensified by the hypnotic rhythms of percussionist Humberto Ibarra.
After the luminous clarity of “Colors” and softly soaring urgency of “Stardust Scattering” (a song partly inspired by the surrealist poetry of Sun Ra), The Moon and Stars: Prescriptions for Dreamers presents an African proverb read by legendary Stax singer Carla Thomas (aka “The Queen of Memphis Soul”). From there, Thomas lends her backing vocals to the album’s showstopping centerpiece “Call Me a Fool,” a gorgeous piece of throwback R&B fueled by smoldering horns and a particularly soul-stirring performance from June. “It’s very scary to have a dream,” says June in revealing the song’s message. “Everybody in your life will tell you that you’re crazy and it’s never going to work out, but you’ve got to let the world call you a fool and just go for it anyway.”
Although The Moon and Stars: Prescriptions for Dreamers slips into a heavy-hearted mood on the stark and sorrowful “Fallin,” June’s irrepressible intensity returns on the radiant “Smile.” “As a Black woman, a song like ‘Smile’ makes me think about everything my race has gone through, and how positivity can be its own form of protest,” June points out. “It’s saying, ‘We are oppressed, we have so much against us—but the one thing you’re not gonna take from me is my smile.’” One of the album’s most beautifully untethered moments, the trance-like “Within You” shares what June calls a “mantra for rejuvenation,” while “Two Roads” channels a dreamy determination in its lilting pedal-steel tones. A song of sweetly articulated triumph, “Why the Bright Stars Glow” then leads into the album’s glorious finale: the slow-burning “Home Inside,” a prayerful invocation whose lyrics are threaded with June’s tenderhearted wisdom (e.g., “Earth is a school/To shine is why you came”).
At several points throughout The Moon and Stars: Prescriptions for Dreamers, June offers up what she refers to as “reflective meditation moments”: atmospheric interludes meant to lull the listener into a state of lucid serenity (the album’s final track, for instance, features recordings of mockingbirds singing outside June’s window during her time spent quarantining in Tennessee). “I know that when I’m ready to give up on something on the dreamer’s path, taking even 30 seconds to just focus on my breath can completely shift my energy and help me to keep going,” she notes. To that end, the subtitle to The Moon and Stars: Prescriptions for Dreamers alludes to the so-called prescriptions June created to accompany each song on the album, a carefully curated collection of elixirs, contemplation questions, and daily practices assembled to help the listener along on their own dreamer’s journey.
In the making of The Moon and Stars: Prescriptions for Dreamers, June added an element of ritual to every recording session, including adorning the studio floor with mandalas made from fresh-picked flowers (a rite inspired by 19th-century author Clara Lucas Balfour’s assertion that flowers are undoubtedly “the stars of the earth”). Working at Fresh Young Minds in Los Angeles and Hit Factory Criteria in Miami—with each session serendipitously transpiring under a full moon—June found an ideal collaborator in Splash, who shares her tendency toward childlike adventuring in the artistic process. “For this album I wanted to see how we could bring some modern elements into that band-in-the-room approach I’ve taken with my records in the past,” says June, who first broke through with 2013’s critically acclaimed Pushin’ Against A Stone. “Anytime you create, you should always be exploring and changing and trying things you’ve never done before.” With their reference points ranging from the freewheeling Afrobeat of Fela Kuti to the grandiose string arrangements of longtime David Bowie producer Tony Visconti, June and Splash introduced otherworldly effects and beats into the album’s elaborate orchestration, soon arriving at a sound that’s entirely singular and endlessly surprising.
In creating such a transportive body of work, June ultimately provides an utterly immersive listening experience with The Moon and Stars: Prescriptions for Dreamers, one that serves as a much-needed respite from the outside world. “I see these songs almost like matches for people to strike when they need to reignite that inner light and keep going when things feel dark,” says June. “I hope it helps them to feel empowered, to realize their strength and their beauty and all the gifts they have to give. And I hope it also helps people to recognize the light in everyone around them, so that we can all connect with each other in a kinder and gentler and more loving way.”
Supporting Acts
About the Venue
Upgrades: A limited amount of VIP seating upgrades (21+) are available for select shows. Contact the box office to purchase or check availability: boxoffice@hifiindy.com.
Ticket Support: Box Office opens 1 hour before published door time. For ticket related questions please email boxoffice@hifiindy.com.
Parking: Street Parking, Bike Parking