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DTSTART;TZID=America/Indiana/Indianapolis:20201022T170000
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SUMMARY:Justin Wells at HI-FI Annex
DESCRIPTION:JUSTIN WELLS\nW/ SPECIAL GUESTS\nHI-FI ANNEX\nCan’t make the show?  Grab a ticket to watch the Justin Wells Livestream from the comfort of your home. \nPresented by Dukes Honky Tonk & Holler on the Hill \n5:00 pm: Doors Open\n6:00 pm: Meghan Cristeen Martin & The 1900\n7:00 pm: Nick Dittmeier & The Sawdusters\n8:30 pm: Justin Wells\n10:00 pm: Event Over \nFace Coverings Required: All guests must wear a face covering per Marion County Public Health Order. Please bring your own. Disposable face coverings are available at the box office for purchase.\nSafety Precautions: Full list of COVID-19 safety precautions click here. Venue policies are subject to change based on the order of local authorities and at the venue discretion.\nVenue Info: Concert Calendar\, location\, rules\, permitted items click here\nLivestreams: Check out all of our upcoming livestreams.\n \nTickets: General admission\, 250 tickets available.\nKids: All ages event\, kids 5 and under are free with paid adult.\nSeating: Picnic table seating available\, first come first served\, lawn chairs permitted in designated areas.\nBeer\, Wine\, Spirits: Full bar  for 21+ guests including slushies\, wine by the bottle and buckets of beer/white claw.\nFood: Local Food Vendor.\nSnacks & Beverages: Available at our concession stand. \nTicket Questions: boxoffice@hifiindy.com \n\nAbout Justin Wells\nListen | Watch Video  \nIf finding common ground sounds like an ambitious prospect in these profoundly polarized times\, that’s because\, quite frankly\, it is. But with his extraordinary new album\, The United State\, Wells has managed to transcend politics and race and religion and tap into something far deeper\, something infinitely more primal and timeless. Recorded with acclaimed producer Duane Lundy (Ringo Starr\, Sturgill Simpson’s Sunday Valley\, Joe Pug)\, the collection explores our innate humanity and everything that comes with it: the joy\, the sorrow\, the ecstasy\, the pain\, the hope\, the fear. Wells’ songs speak to the universal truths that bind us\, empathetically leaping between perspectives as they reckon with personal growth and existential quandaries. The arrangements here are rich and ethereal to match\, balancing lush sonic landscapes with stark acoustic meditations. The result is a subtly revelatory record\, a gripping\, cinematic album full of small moments and sharp insights that add up to nothing short of life itself. “Ultimately\, this album’s about unity\,” says Wells. “It’s about the common thread that connects us all.” After spending his childhood in Blanchard\, LA\, Wells moved with his family to Cynthiana\, Kentucky as a youngster. Growing up in the rural South\, he rebelled against the commercial country music that surrounded him\, instead preferring the trippy psychedelia of Pink Floyd and the brash energy of Guns N’ Roses. After an aimless couple of years trying to put a band together in rural Kentucky\, he moved to Lexington\, and immediately launched the cult favorite Southern rock band Fifth on the Floor. The group released a couple of well-received independent records before teaming up with Shooter Jennings on their breakout third album\, 2013’s Ashes & Angels\, which debuted on the Billboard Country charts. While the record earned raves and helped land the band dates with the likes of Chris Stapleton\, Sturgill Simpson\, Jason Isbell\, and Blackberry Smoke\, it would prove to be the group’s last\, and following a pair of hometown farewell shows\, the four-piece split for good. “When that band broke up\, it kicked me in the teeth. We’d spent years clawing upward\, and suddenly there was no wind\, no sails\,” says Wells. “That had been my dream since I was a teenager\, and all of my eggs were in that basket. There was no backup plan.” \nWith the rug suddenly pulled out from under him\, Wells found himself in freefall. Rather than succumb to the disappointment\, though\, he decided to write his way through the heartache\, emerging stronger and more creatively invigorated on the other side with his solo debut\, Dawn in the Distance. The record (and its subsequent touring) prompted the best reviews of Wells’ career\, with Rolling Stone hailing his “gift for melody” and Saving Country Music praising his “stunning insight and honesty.” The album reached #3 on Amazon’s Alt-Country/Americana chart\, and songs from the collection racked up more than a million streams on Spotify alone. \nWhen it came time to work on a follow-up\, Wells decided to flip his entire writing process on its head. Instead of penning whatever music just happened to come to mind\, he crafted an entire architecture and sequence for the record in advance\, following it like a road map as he wrote about what it meant to be human\, to be caring\, to love yourself and your fellow man\, flaws and all. “Tribalism is the name of the game at this point\,” says Wells. “‘Divided’ is a cliche. But if you zoom out\, we all bleed the same\, we all laugh the same\, we all cry the same. There’s this common path that all of our lives follow: birth\, being a dumbass kid\, thinking you’re falling in love\, actually falling in love\, starting a family. Worrying about paying the bills\, death\, whatever comes next.” Writing the album was a slower and more deliberate process than Wells had ever experienced\, and the recording sessions unfolded in a similarly methodical fashion. After brothers Daxx (Cheap Trick) and Miles Nielsen (Miles Nielsen and The Rusted Hearts) laid down rhythm tracks in Rockford\, IL\, Wells and Lundy cut vocals and guitars in Lexington with Laur Joamets (Sturgill Simpson\, Drivin’ N Cryin’) and Alex Muñoz (Margo Price\, Nikki Lane). GRAMMY-nominated producer/engineer/multi-instrumentalist Justin Craig\, meanwhile\, contributed additional guitar and percussion parts from his New York City studio\, and a slew of Wells’ friends and collaborators joined forces to help put the finishing touches on things back in Kentucky. \nThat communal spirit is the heart and soul of The United State which nods to our shared humanity with a stark\, black and white portrait of an elderly woman on the cover\, a lifetime of struggle and resilience and heartbreak and love etched in the lines on her face. After opening with an ethereal instrumental movement that radiates all the warmth and safety of the womb\, the collection begins in earnest with “The Screaming Song\,” a bittersweet meditation on the wonder and the terror that accompanies our entrance into this world. “It won’t be the last time I am on my own\,” Wells sings in his rich\, honeyed drawl\, at once capturing both the infinite beauty and unfathomable sadness that awaits each of us at birth. The record works its way through life chronologically\, as a series of snapshots of formative moments from a variety of narrators connected by their shared humanity. “No Time For A Broken Heart” recalls the playful country funk of The Band’s “Cripple Creek” as it celebrates the freedom of youth\, while the tender “Some Distance From It All” taps into the eternal teenage quest for independence and identity\, and the boisterous “Never Better” learns the difference between lust and love the hard way. As exuberant as the record begins\, there’s a distinct maturing on the album’s second half\, which finds adolescence giving way to adulthood. The soulful “After The Fall” and R&B-tinged “It’ll All Work Out” revel in the power of grown-up love\, while the breezy “Temporary Blue” and driving “Walls Fall Down” reflect on the growth and responsibility that come with raising a family of your own\, and the hypnotic “Ruby” and dreamy “The Bridge” approach death with a calm acceptance\, passing peacefully from this life to the next. “On my own\, on my own\, ’til I see you again\, I am on my own\,” Wells sings\, bringing the whole journey full circle. “Birth and death\, they’re just transitions\,” he muses. “There’s comfort there.” \nWe may never truly understand what happens when we shuffle off this mortal coil. Hell\, we may never truly understand what happens while we’re here. But with The United State Justin Wells has crafted an essential soundtrack to the journey.
URL:https://hifiindy.com/event/justin-wells-at-hi-fi-annex/
CATEGORIES:HI-FI Annex Shows
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DTSTART;TZID=America/Indiana/Indianapolis:20201017T170000
DTEND;TZID=America/Indiana/Indianapolis:20201017T220000
DTSTAMP:20260526T005434
CREATED:20200904T135247Z
LAST-MODIFIED:20201016T183524Z
UID:11497-1602954000-1602972000@hifiindy.com
SUMMARY:Isaac Rudd & The Revolvers (2 sets) at HI-FI Annex
DESCRIPTION:Show Update: Due to circumstances beyond our control\, both Left Lane Cruiser and Tyler Lance Waker Gill are unable to perform. The show is still on! Isaac Rudd & the Revolvers will headline. Detroit’s Myron Elkins and the Dying Breed will open the show. We’ll post an updated schedule if we are able to add any additional acts. \nDuke’s Honky Tonk & Holler on the Hill Present\nIsaac Rudd & The Revolvers w/ Myron Elkins & The Dying Breed Sun King Brewery & West Fork Whiskey Concert Series \nDoors Open: 5:00 pm\nMusic: 6:00 pm\nEvent End: 10 pm \nFace Coverings Required: All guests must wear a face covering per Marion County Public Health Order. Please bring your own. Disposable face coverings are available at the box office for purchase.\nSafety Precautions: Full list of COVID-19 safety precautions click here. Venue policies are subject to change based on the order of local authorities and at the venue discretion.\nVenue Info: Concert Calendar\, location\, rules\, permitted items click here\nLivestreams: Check out all of our upcoming livestreams.\n \nTickets: General admission\, 250 tickets available.\nKids: All ages event\, kids 5 and under are free with paid adult.\nSeating: Picnic table seating available\, first come first served\, lawn chairs permitted in designated areas.\nBeer\, Wine\, Spirits: Full bar  for 21+ guests including slushies\, wine by the bottle and buckets of beer/white claw.\nFood: Local Food Vendor.\nSnacks & Beverages: Available at our concession stand. \nTicket Questions: boxoffice@hifiindy.com \n\n\nAbout Isaac Rudd & The Revolvers\nListen | Watch Video  \nHailing from the one stop-light town of Kirklin\, Indiana\, Isaac Rudd and his band “The Revolvers” put on an electric show of honky tonk rock country music with a flare all their own. A six piece band including a pedal steel guitar\, fiddle and Isaac Rudd on acoustic guitar there aren’t many bands like them anymore. A self taught musician\, Isaac Rudd started with a $100 guitar and words on a legal pad. Today he has recorded over eight songs with John Mellencamps band (Dane Clark\, Jon Gee\, Larry Crane) at the Static Shack studio\, and is currently working on his first full length album at Eleven Productions Studios in Speedway\, Indiana. The band has opened for national touring artists such as Jason Michael Carroll\, Josh Turner\, Jerrod Niemann\, Dwight Yoakam\, Wheeler Walker Jr.\, and Steve Earle and is set to make a huge splash in the coming years. At only 23 years old\, Rudd and his Revolvers are on a path for solitude with heartfelt tunes like “I’d Be Missin’ You” and their newest release “Done Me Wrong”. If you go see this band\, and you will most definitely want to\, make sure you wear your dancing shoes and be prepared for beautiful original songs written by Isaac Rudd himself. \nAbout Myron Elkins & The Dying Breed\nListen | Watch Video  \nMyron Elkins is a 19 year-old from a small town in Michigan\, where friends are family and family are friends. Values matter where he’s from. It’s the kind of place where a handshake is your contract\, and you’re true to your family name. Where Grandpa taught you to play that guitar\, and Grandma taught you how to not be late for supper. Where you say your prayers\, and you don’t let fear get in the way of free thinking. Simple. Honest. \nAlong with his band\, The Dying Breed\, the music harkens back to the days of Hank Williams\, Johnny Cash and Waylon Jennings. It isn’t contrived\, it’s just the way of life for he and The Dying Breed — McKinnon Elkins\, Avry Whitaker\, Caleb Stampfler and Ricky Wayne LaDuke. \nAnd when they do it\, on a Friday night at a local bar\, the community comes out to support them. Because that’s what small towns do. Because Myron Elkins and the boys are a dying breed.
URL:https://hifiindy.com/event/left-lane-cruiser-at-hi-fi-annex/
CATEGORIES:HI-FI Annex Shows,Rock
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DTSTART;TZID=America/Indiana/Indianapolis:20201002T190000
DTEND;TZID=America/Indiana/Indianapolis:20201002T200000
DTSTAMP:20260526T005434
CREATED:20200926T151459Z
LAST-MODIFIED:20200926T151459Z
UID:11781-1601665200-1601668800@hifiindy.com
SUMMARY:LIVESTREAM: Ritch Henderson Live From HI-FI Annex
DESCRIPTION:LIVESTREAM\nRitch Henderson\nLive From HI-FI Annex\nIndianapolis\, IN\nFriday October 2\, 2020\nShow Starts: 7:00 PM\nPurchase Livestream Tickets\nView all our upcoming streams & frequently asked questions here \nStreaming Ticket: $10 \n\nStreaming Ticket\n\nSave Our Stages Ticket: $15 \n\nStreaming Ticket\n$2.50 donation to NIVA’s Save Our Stages\n$2.50 donation to Indiana Venue Alliance\n\nLooking for a ticket to the in-person show at HI-FI Annex? Get tickets here. \n\nAbout Ritch Henderson\nListen | Watch Video \nA Northern Alabama Native\, Ritch Henderson  has an eclectic style that is uniquely Southern. His early major influences are  Led Zeppelin\, Jim Croce\, Janis Joplin\, The Steve Miller Band\, The Eagles & Lynyrd Skynyrd. \nIn 2002 Ritch’s mom gave him the records “Heartbreaker”\, by Ryan Adams and “Yourself Or Someone Like You”\, by Matchbox Twenty as Christmas gifts\,  and a lifelong love affair with lyrical intention began. \nWhen Ritch was Sixteen years of age\, his sister Introduced him to the music and composition of local Rock and Roll band: The Drive-By Truckers\, and a songwriter was born. \nHis later influences are The Turnpike Troubadours\, Chris Knight\, and most recently John Fullbright\, and John R. Miller
URL:https://hifiindy.com/event/livestream-ritch-henderson-live-from-hi-fi-annex/
CATEGORIES:Live Streams
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DTSTART;TZID=America/Indiana/Indianapolis:20201002T170000
DTEND;TZID=America/Indiana/Indianapolis:20201002T220000
DTSTAMP:20260526T005434
CREATED:20200918T154224Z
LAST-MODIFIED:20200928T161706Z
UID:11704-1601658000-1601676000@hifiindy.com
SUMMARY:Arlo McKinley at HI-FI Annex
DESCRIPTION:ARLO MCKINLEY\nW/ RITCH HENDERSON\nHI-FI ANNEX\nCan’t make the show?  Grab a ticket to watch either Arlo McKinley Livestream or Ritch Henderson Livestream from the comfort of your home. \nPresented by Duke’s Honky Tonk & Holler on the Hill \n5:00 pm: Doors Open\n6:00 pm: Eric Bolander\n7:00 pm: Ritch Henderson\n8:30 pm: Arlo McKinley\n10:00 pm: Event Over \nFace Coverings Required: All guests must wear a face covering per Marion County Public Health Order. Please bring your own. Disposable face coverings are available at the box office for purchase.\nSafety Precautions: Full list of COVID-19 safety precautions click here. Venue policies are subject to change based on the order of local authorities and at the venue discretion.\nVenue Info: Concert Calendar\, location\, rules\, permitted items click here\nLivestreams: Check out all of our upcoming livestreams.\n \nTickets: General admission\, 250 tickets available.\nKids: All ages event\, kids 5 and under are free with paid adult.\nSeating: Picnic table seating available\, first come first served\, lawn chairs permitted in designated areas.\nBeer\, Wine\, Spirits: Full bar  for 21+ guests including slushies\, wine by the bottle and buckets of beer/white claw.\nFood: Local Food Vendor.\nSnacks & Beverages: Available at our concession stand. \nTicket Questions: boxoffice@hifiindy.com \n\nAbout Arlo McKinley\nListen | Watch Video \nComing out of the eclectic Cincinnati music scene that has produced everyone from The National and Walk the Moon to Bootsy Collins\, Arlo McKinley has washed his songs in the blood of street soul\, country\, punk and gospel – and tattooed them onto the underground. Filled with a weight\, honesty and gritty-hope from rustbelt city life\, McKinley rolled downriver to Memphis to Sun Studio where Grammy Award-winning producer Matt Ross-Spang (Jason Isbell\, Margo Price\, John Prine) gathered a working man’s all-star band to record his Oh Boy Records debut\, “Die Midwestern.” \nMcKinley’s 10 original songs bleed truth and emotion from a heart scarred by wild nights and redeemed by Sunday morning confessions. “She’s Always Around\,” “Suicidal Saturday Night\,” “Bag of Pills” and “Ghost” – a song he wrote in a funeral home parking lot after carrying the coffin of his best friend – are all songs carved out in the key of life. \nIn “Ghost” McKinley pours out the pain of his personal loss. “It felt too real to be a dream/We were getting high on gasoline/sitting on the banks where the river bends/and we laughed and danced and sang and we talked about everything/Sitting here with the ghost of my best friend.” \nOn “Bag of Pills\,” McKinley testifies from the shadows of the night … “All I need now\, I don’t want/All I loved now\, it’s all gone to my head/Tell Jesus\, Can you save me?/Didn’t think so – guess you’re too busy/I guess we’re all too busy.” In the hope filled “Once Again\,” McKinley leaves an open door to find hope and love again. “My heart is rusting/I’ve been broken/I’ve been busted/but if you tell me I can trust it/Maybe this heart can love once again.” \nShaped in equal parts by the raw honesty of his raising in the church and punk teenage years\, McKinley said that thread still runs so true in the open honesty of his songwriting. \n“I am telling my truth and that is it and hopefully it relates to people\,” McKinley says of the songs on “Die Midwestern. “I know some musicians write story songs about other things\, but I can’t be that musician. I have to write about my experience. ‘Ghost (Of My Best Friend’)\, I was at Patrick’s funeral and we all left. I sang at the funeral and I am sitting in the car and was crying and wrote ‘Ghost.’ That was the moment and I was in it.” \nLike a musical brethren of Lucero\, McKinley has been making a name for himself around the country in that unassuming\, blue-collar way – humbly stacking piles of soulful songs that hurt so real and so good. Along the way\, he has shared stages with kindred musical spirits John Moreland\, Jason Isbell\, Justin Townes Earle\, and contemporary rising singer/songwriters Tyler Childers\, Ian Noe and Colter Wall. \nMcKinley says he hopes when people spin “Die Midwestern” that it churns up emotions even if the songs mean something different to other people. \n“I hope they walk away knowing they saw someone who is telling their raw\, honest story\,” McKinley says. “I gave them that emotion and I don’t want anybody to be neutral about it. I’d rather you walk out and say you hate it. It is a wild thing to play your songs\, it is like time freezes for a moment and everybody listens. Hopefully\, they walk out from a show knowing they are not the only ones feeling the way they are feeling.” \nAbout Ritch Henderson\nListen | Watch Video \nA Northern Alabama Native\, Ritch Henderson  has an eclectic style that is uniquely Southern. His early major influences are  Led Zeppelin\, Jim Croce\, Janis Joplin\, The Steve Miller Band\, The Eagles & Lynyrd Skynyrd. \nIn 2002 Ritch’s mom gave him the records “Heartbreaker”\, by Ryan Adams and “Yourself Or Someone Like You”\, by Matchbox Twenty as Christmas gifts\,  and a lifelong love affair with lyrical intention began. \nWhen Ritch was Sixteen years of age\, his sister Introduced him to the music and composition of local Rock and Roll band: The Drive-By Truckers\, and a songwriter was born. \nHis later influences are The Turnpike Troubadours\, Chris Knight\, and most recently John Fullbright\, and John R. Miller \n  \nAbout Eric Bolander: \nListen | Watch Video \nEric Bolander’s flavor of Americana/folk music offers soulful vocal tone with thoughtful melodies that have staying power.  Lyrically driven by life experiences\, Eric’s songs will give you a glimpse into his life and a realization that happiness can be perpetuated through pain.\nEric grew up in the small eastern KY town of Garrison in the Ohio River Valley along the foothills of Appalachia (pop. 1400).  He learned through his Dad to work for what you want/need and never take someone for granted.  Love and work ethic were driving forces of his humble upbringing.  Eric now lives and works out of Lexington\, KY.  He’s called Lexington home for most of his adult life.  An Art Teacher by day and Musician by night\, Eric’s mind is always immersed in the arts.  Passion for the arts is what keeps him moving forward.
URL:https://hifiindy.com/event/arlo-mckinley-at-hi-fi-annex/
CATEGORIES:Americana / Alt Country,HI-FI Annex Shows
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