HI-FI First Friday April feat. Animal Years, Ona
Dogfish Head Presents: HI-FI First Fridays
About Animal Years
Mike McFadden: Vocals, Guitar
Anthony Saladino: Bass
Anthony Spinnato: Drums
“We borrowed the name from a Josh Ritter album,” Animal Years singer-songwriter-guitarist Mike McFadden says of his band’s moniker. “Originally, we just liked the way the phrase sounded. But the more we thought about it, the more it meant to us, and we started saying things like ‘Live your life in animal years.’ If you knew that you’d only be around for a few years, you’d do things differently. That’s how we try to operate as a band; we try to go for it every day, like we’re gonna die tomorrow.”
That level of urgency resonates throughout Far From Home, Animal Years’ first eOne release. The five-song EP — produced by Ryan Hadlock, renowned for his work with the Lumineers, Brandi Carlile and Vance Joy — offers a consistently compelling distillation of the Brooklyn-by-way-of-Baltimore trio’s irresistibly anthemic, unfailingly uplifting songcraft, which ranges from the fist-pumping infectiousness of “Caroline” to the introspective warmth of “Friends” to the bittersweet buoyancy of “Home (I Was Born).” McFadden’s catchy, emotionally direct songwriting is matched by the band’s exuberant performances, which combine McFadden’s openhearted vocals and surging acoustic guitars with the punchy rhythmic kick of bassist Anthony Saladino and drummer Anthony Spinnato.
“Someone once described us in a review as ‘singer-songwriter music with the amps turned up,'” McFadden notes. “The emphasis is on the songs and the songwriting, but we’re definitely a rock band. Even if I’m playing an acoustic guitar, I’m playing it through an amp with the distortion on. We’re always gonna be louder than the other bands on the bill.”
Far From Home‘s memorable compositions and high-energy performances make it clear why Animal Years has already earned a fiercely loyal grass-roots fan base. Without the benefit of a mainstream record label, the band has built its audience the old-fashioned way: through dogged roadwork, winning over one fan at a time.
“When we moved to New York, we hit the city really hard, and things just grew organically,” McFadden explains. “We naturally evolved from small clubs to bigger ones, and from small tours to bigger tours, with more people coming out each time. Everything has happened really organically, through us just being ourselves and trying to be as honest as we can.”
The thee bandmates and producer Hadlock recorded Far From Home in the remote environs of Applehead Studios in Woodstock, NY, far from the band’s normal urban surroundings.
“We really wanted to isolate ourselves in a place with no distractions other than making the record,” McFadden explains. “So we all went up to Woodstock and worked in this great studio in a rebuilt barn. We’ve been demoing stuff for years, but this is the first time the three of us had made a record together. Ryan was really great to work with, and I think that he really brought out the best in us. It was great recording out there in the middle of nowhere; we’d record 12 hours a day, and then all hang out at night.”
Far From Home showcases McFadden’s knack for writing forthright songs that cut to the chase, lyrically and melodically. “On this EP, I wanted to write things that everyone can relate to,” he asserts. “Sometimes lyrics can be open to interpretation, but for the most part I want people to know exactly what I’m talking about. All of these songs were written on the road, so a lot of the themes are about being away from home and missing people, and not taking people for granted.
“We had four songs that we really liked for the EP, but we knew that we needed one more that would really grab people’s attention,” he continues. “I was driving back from North Carolina, right at the end of a tour, and I wrote ‘Caroline’ in the car. Within ten minutes, I had pulled over to the side of the road and recorded the whole thing into my phone. A couple of days later, we made a rough demo, and everybody who heard it said ‘Yeah, that’s the one.’ It’s the song that got the attention of our record label, and now it’s the first single from the EP.”
The unpretentious attitude and hard-driving work ethic that define Animal Years were established early on, when Mike McFadden first began writing and performing his own songs in his mid-teens, releasing his first studio CD under his own name while still in high school in Baltimore. That inaugural effort won a good deal of attention, and even gained some local radio play. A second CD, released when McFadden was 18, was even better received by fans and local radio programmers, and soon his songs were being picked up for use in commercials from such advertisers as Coca-Cola and Pennzoil.
“That was the driver for me to think about quitting my job in Baltimore and going to New York to start Animal Years,” McFadden recalls. “Before I moved to New York, I did another solo album, The Sun Will Rise. At that point, Anthony the bass player suggested that we find a drummer and make it into a band, so we rebranded the CD as an Animal Years release.
“It became a real band really quickly,” McFadden reports. “When we started the band, we were all working jobs to raise money to make it happen, so we could afford to go on the road and into the studio. The guys started taking an equal part of the work, and everybody started contributing. It took some getting used to, but it was good not being alone and not having to do everything myself. The songwriting is still the same, because that’s still me, but everyone’s invested in this partnership and we’re all getting something out of it.”
Animal Years’ timely relocation to New York proved to be a crucial turning point for the band. “The music scene in Baltimore is really big and varied, but I never felt like we ever really fit in there,” says McFadden. “When we got to New York, we felt a lot more at home and got a much better reception. In New York, there’re more people, there’re more opportunities, there’re more venues. You can play a few nights a week and still never run out of places to play.”
Having already established themselves in their adopted hometown and having won a legion of new friends and fans on the road, Animal Years plan to continue doing what they do best: making music and touching people.
“We’re planning on hitting the road super-hard,” McFadden affirms. “We’re definitely willing to put in the work, and make it happen by any means necessary. That’s the only way you can do it these days. There are so many other people who are working as hard as you are, so you just have to work twice as hard.”
Ona is an indie-rock band comprised of longtime friends Brad Goodall (keys), Bradley Jenkins (vocals/guitar), Zach Johnston (bass), Max Nolte (drums), and Zack Owens (guitar).
The band formed in late 2013 and are based in Huntington, WV. Ona’s debut record ‘American Fiction’ reached critical success appearing on NPR best of lists, SIRIUS Radio airplay, and a spot on nationally syndicated radio program Mountain Stage.
About The Artisanals
Somewhere on a dusty road or a well traveled interstate, right at this very moment, a rock n’ roll band is pounding the rock. They’re probably wearing the same clothes they had on yesterday, and reminiscing about last night’s gig. Inspired by a guitar lick that cuts to the bone or a melody that lingers on refrain, this band is following a path forged by countless other musicians who’ve lived and died in dive bars or ‘made it’ with their posters taped to bedroom walls. What makes this band of brothers any different? This band is The Artisanals.
Johnny Delaware grew up in a small South Dakota town surrounded by cornfields and dirt roads. For 19 years, he lived in a wide-eyed perspective baptized in the setting of a John Mellencamp song. In order to personally evolve and carry out his musical destiny, Delaware knew that the heartland wind would have to blow him around the country. Eventually, Delaware would move to Charleston, SC and team up with guitarist Clay Houle, and bassist Eric Mixon to form The Artisanals in late 2016. Within a year of forming, The Artisanals dropped their four-track debut EP, Literally, Anywhere, and promptly received critical acclaim from Huffington Post, Paste Magazine, Daytrotter, PopMatters.
Now, with drummer Nick Recio, and keyboardist Ian Klin rounding out the group, The Artisanals are dropping their debut self-titled full length album. Produced by Wolfgang Zimmerman and set to release on AWAL on September 21, 2018, The Artisanals, is the first ever record to come out of the Magic Barn – an Iowa studio-converted-barn that features the Neve console and gear from NYC’s now defunct Magic Shop Studio which recorded David Bowie’s last two albums, Arcade Fire’s The Suburbs, and can be seen on Dave Grohl’s Sonic Highways.With sonic influences ranging from the heartland rock of Bruce Springsteen (“Angel 42”), and neo-psychedelia anthems of My Morning Jacket (“Pound The Rock”), to the dream-pop work of The Cars and The War On Drugs (“Drag”), The Artisanals 10-track LP showcases Delaware and Houle’s knack for writing hooks as well as their ear for quality production. The album utilizes everything from a gong, organ, piano, sitar, french horn, trombone, and koto, to a string section sourced from the nearby University of Iowa. Mastered by Howie Weinberg, (Spoon, Ryan Adams, Nirvana), there’s no filler on The Artisanals. From start to finish, this record is a straight banger.